Helen Andrews

I need to confess something about my contribution to the American Spectator ’s young conservatives symposium . The two points I try to make are, first, that the Right should stop carping about relativism because practically no one on the Left is a relativist anymore, and second, that the . . . . Continue Reading »

Everyone tends to make fun of the young conservatives who dress like dandies, drink port, go high church, and profess to be monarchists. Not me. First of all, in those rare souls who can pull it off , the effect is sublime. More importantly, even the most callow, self-parodic monarchist phase . . . . Continue Reading »

“God,” I said, “like Alfred Hitchcock, vouchsafes us only glimpses of Himself. I have often thought of this. And also that we make a game of trying to spot Him in this scene and then that, till we’ve squandered the revelation of the whole instead of simply accepting and . . . . Continue Reading »

The murder of Bobby Franks by Nathan Leopold and Richard Loeb has been the subject of more novels, plays, and movies than any other murder of the twentieth century, and there is a good reason for this. There is also a bad reason. The good reason is that most noteworthy murderers work alone, but . . . . Continue Reading »

Viscount Milner writing to a friend in 1903 about his reason for leaving politics, one of few such explanations not to sound either self-righteous or self-pitying: I am too far, too increasingly out of sympathy with our political system, and with the political attitude of the bulk of my countrymen, . . . . Continue Reading »

Film noir is the easiest to identify and (as these things go) easiest to define of all the genres in cinema, yet it developed quite unintentionally—it wasn’t until well into its maturity that anyone realized it was a genre at all. The term film noir  originated in postwar France . . . . Continue Reading »

Ian Hamilton, Writers in Hollywood : One day Ben Hecht got a call from Bernie Hyman, MGM production head, asking for help on a movie about to be shot. “I won’t tell you the plot,” Hyman said. “I’ll just give you what we’re up against. The hero and heroine fall . . . . Continue Reading »

The book is about Pulp and what Hatherley considers the band’s main themes: class, sex, and urbanism. The following are all direct quotations. Jarvis Cocker, uniquely among male Pop lyricists, was and is a great writer of female characters, which mixes sometimes uncomfortably with songs of . . . . Continue Reading »

Theodore Dalrymple, Second Opinion : I prefer alcoholics to drug addicts. They are more often people of character and are much more amusing. Even their special pleading (for themselves) is often very funny, and they can be brought to see it. By contrast, drug addicts whine horribly and frequently . . . . Continue Reading »

There is a question you need to ask yourself before reading this post, and it’s one of those questions that every man needs to look within and answer for himself. The question is: How many times can you read the phrase “Azerbaijani axe murderer” without bursting out laughing? The . . . . Continue Reading »