SUBSCRIBER LOGIN

Search
First Things

Loading

RSS

Masthead

Recent Comments

  • teleologist: Thanks you for the opportunity to express our opinions with the time that we had. Tongues will cease,...
  • Orthodoxdj: As Tolkien said to Lewis as they parted on that fateful night in Oxford, “Goodbye.”
  • Livingston Dell: I didn’t always comment as frequently as I had liked to on these articles, but I always...
  • Nikolai Volk: You know, we had a hell of a run in these comment sections. I’ve had many a great discussion with...
  • David Strunk: Hey Joe, I also appreciated what you guys did here, and always had this blog on my RSS feed to see the...
  • Amy K. Hall: Thanks for starting the blog, Joe. It was an honor to be included.
  • Archives

    Categories

    Monthly


    « Previous  |Home|  Next »         

    Wednesday, March 31, 2010, 10:51 AM

    Saturday night my wife and I went to the symphony. One of the pieces we heard was Symphony no. 4 by Sergei Prokofiev. In the program notes, one of the things we were informed about this symphony was that it borrowed heavily from an earlier work, which was a ballet entitled The Prodigal Son. Furthermore we were informed that the third movement borrowed from a section of the ballet which introduced/added (for sex appeal) a seductive dance by a female dancer/love interest. This element was apparently added to the story to increase popularity. So when the the third movement came around, I was expecting seductive or melodic patterns that would fit a seductive dance. Yet I got a surprise. The third movement to my ears was quirky humorous and, well, goofy. To my minds eye, the exotic dance would feature a grinning minx with strident makeup, mismatched pigtails, a flouncy dress, and a puckish grin and attitude.

    Here’s my point. While this is on occasion what I might find captivating and perhaps seductive … I think of myself unusual in this regard. I’ll freely admit, for example, in the Magic Flute, I’m more interested in the Popageno/Popagena love story than Tamino/Pamina story. What do you think of humor and other puckish elements as part of seduction or romance?

    6 Comments

      Craig Payne
      March 31st, 2010 | 11:40 am | #1

      For some of us, humor is about our only hope.

      Ethan C.
      March 31st, 2010 | 3:28 pm | #2

      It’s certainly key in my own romance! I knew she was the girl for me when I felt as comfortable being silly around her as I do around my family. And it was confirmed when I realized that I found her as funny as she found me.

      Daryl Little
      March 31st, 2010 | 3:52 pm | #3

      I would think that humour and other puckish elements are far closer to real life than what we often seen portrayed.

      The seductress gets a night. The puckish one gets a husband.

      Craig Payne
      March 31st, 2010 | 4:40 pm | #4

      “And it was confirmed when I realized that I found her as funny as she found me”

      True. Women should be told this by their mothers: A man finds it immensely attractive when a woman thinks he is funny. (Or pretends to.)

      RS
      March 31st, 2010 | 7:10 pm | #5

      The readers of Evangel aren’t David DeAngelo fans. That shouldn’t be a surprise.

      Dad always said he fell in love with Mom because “She laughed at all my jokes.”

      Diana Wright
      April 2nd, 2010 | 12:50 pm | #6

      Papageno & Papagena epitomize grace, Pamina and Tamino, works.

    Links

    Blogs

    Find Us

    Contact